Bob's designs reflect his interest in the art nouveau movement and the work of Alphonse Mucha in particular. His work from this time is highly sought by collectors. Masse befriended the Vancouver band, the Collectors, and when they travelled to Los Angeles to make a record, he followed, spending the final years of the 1960s living in the Laurel Canyon area, producing posters and album covers for various bands of the day. ![]() He was greatly influenced by the art and music scenes in Los Angeles and San Francisco, where he spent considerable time in the late 1960s. ![]() And, they also wanted to rebel against the rules of design and art."Ĭanada's foremost rock poster artist, Bob Masse absorbed the influence of the psychedelic era to create eye-popping yet elegantly stylized art-nouveau designs distinguished by their fluid linework and intricate figures. Bob Masse is from Canada's west coast and has been producing concert posters since the 1960s. While attending art school in Vancouver, British Columbia, he began his career doing posters for the folk acts that came through town, in exchange for free drinks, tickets, and the opportunity to meet the musicians.Īs folk became folk-rock, and Vancouver was visited by such bands as the Grateful Dead, The Doors, the Jefferson Airplane and Steve Miller, Bob continued to produce memorable concert posters for these bands, and helped pioneer the emerging psychedelic art genre. While he employs many of the techniques of that period, his brilliant colour palette, unique lettering style, and bold composition give his art a signature look.Īs rock concert art began to enjoy a surge in popularity duing the 90s, Masse returned to the medium with renewed force, producing a steady stream of posters for the first time since the 1970s."Most of the artists were part of the hippie movement of the time the underground culture was really a bunch of young kids who'd run away from home. His work from this time is highly sought by collectors.īob’s designs reflect his interest in the art nouveau movement and the work of Alphonse Mucha in particular. Read More.Masse befriended the Vancouver band, the Collectors, and when they traveled to Los Angeles to make a record, he followed, spending the final years of the 1960s living in the Laurel Canyon area, producing posters and album covers for various bands of the day. ![]() While attending art school in Vancouver, British Columbia, he began his career doing posters for the folk acts that came through town, in exchange for free drinks, tickets, and the opportunity to meet the musicians.Īs folk became folk-rock, and Vancouver was visited by such bands as the Grateful Dead, The Doors, the Jefferson Airplane and Steve Miller, Bob continued to produce memorable concert posters for these bands, and helped pioneer the emerging psychedelic art genre. Bob is from Canada’s west coast and has been producing concert posters since the 1960s.
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You can see this in action in your web browser with Pooya Karimian’s excellent baseline vs. The two image sequences below try to demonstrate the differences in the loading sequences (left-to-right) between the two profiles. ![]() You can see what the image is all about in a low resolution with details being added as they’re loaded. ![]() Progressive JPEGs also download top-to-bottom but is decoded in multiple passes adding more details in each pass. This requires you to have downloaded the entire image before you get to see it. Assuming they do and you want to test progressive JPEGs, check out this old, but still very relevant, post from Yahoo YSlow developer Stoyan Stefanov, who has some data on when, where and how to use progressive JPEGs.The JPEG image file format, one of the most common image formats on the web, can be encoded with one of two decoding profiles: baseline (sequential details) and progressive (additive details.) The latter variant offers many advantages on the web over the former variant especially for website visitors with low-bandwidth or high-latency.īaseline JPEGs load top-to bottom at full detail. First you should look at your site's stats, see which browser and devices your visitors are using and whether or not those browsers even render progressive JPEGs progressively. So, should you switch to progressive JPEGs? As with most things in web design there is no right answer. I suspect that how you feel about progressive JPEGs is probably, among other things, a good indicator of how long you've been using the web, which is to say that if you're all-too-familiar with progressive JPEGs from watching them slowly sharpen into focus over painfully slow dialup it's hard to see them as anything but an annoying anachronism. Unfortunately I haven't been able to find any actual usability studies addressing that question. That makes them potentially slower than baseline JPEGs in one of the use cases they're supposed to be ideal for – underpowered mobile devices.īut perhaps the most questionable aspect of progressive JPEGs is whether or not users actually perceive a fully loaded, but blurry image that eventually comes into focus as faster than an image that takes longer, but renders all at once. So while they may be marginally faster and possibly make users feel like the page has loaded faster, they hit the CPU pretty hard. All browsers will render progressive JPEGs just fine, but many of them – Safari, Mobile Safari, Opera and IE 8 – render progressive images just like baseline JPEGs, meaning there is no speed difference.Īnother strike against progressive JPEGs is that they must be rendered multiple times as more data arrives. With progressive JPEGs, because some data is loaded right off the bat, text doesn't jump around (you can avoid this for non-responsive images by specifying the image dimensions).īe sure to read Robson's full article for some important caveats regarding progressive JPEGs, including the fact that browser support is less than ideal. If you're building responsive websites, progressive JPEGs are also appealing because you can avoid the content reflow that happens when baseline images are loaded after text content. ![]() The Dead Air keymount muzzle brake can be utilized with the Sandman series of suppressors or any suppressor featuring the Dead Air Key-Mo Adapter. In addition to Dead Air's best selling OEM muzzle brakes, we now also offer JMAC Custom's RRD 28S AND RRD 30S. 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If you think you have an allergy to latex or a latex sensitivity, you should try to avoid the following products: Check out our list below to get a good understanding of which products or clothing tend to contain these two allergens. Less serious allergic symptoms can include:Īlthough latex can be found in several household supplies, polyester is usually more difficult to avoid. If you develop any of these serious allergic symptoms, please seek emergent medical attention at a local emergency room. Shortness of breath (with or without wheezing).Swollen and red skin, lips, tongue, or throat.Polyester and latex allergiesare some of the most common causes of textile dermatitis.Īlthough most allergic symptoms are usually temporary and topical, some individuals can develop more severe systemic reaction called anaphylaxis or anaphylactic shock. This formal term for this type of allergic reaction is textile contact dermatitis. Metallic fasteners and zippers may also be the source of an allergic contact dermatitis. azo and anthraquinone), chrome, cobalt, nickel, nylon, and latex. Common culprits include: formaldehyde (used to make fabrics wrinkle-resistant), para-phenylenediamine, dyes (e.g. While it is possible to have an allergic reaction to the fabric fiber itself, the majority of textile contact dermatitis cases are due to an allergic reaction to the fabric chemical processing agents. Many people who have sensitive skin can develop allergic contact dermatitis (ACD) due to certain chemicals in clothing and from specific fabrics used in clothing. If you’re experiencing severe eczema or have a topical infection, it is always best to seek medical advice immediately. ![]() Please keep in mind that although these tips and information have worked for several eczema sufferers, I am in no way a medical professional. ![]() Learn how to identify symptoms, AND get some tips and discover alternative clothing to try! This week we discuss latex hypersensitivity reactions and s the sometimes lesser known polyester allergy. If this scenario is at all familiar to you, then you may have textile dermatitis, and you’ll want to read on. You immediately take the blouse off and notice that your skin is inflamed and hot to touch. Not long after throwing on the top do you realize your neck is covered in hives and itching uncontrollably. You rip off the tag in haste, throw it on and start getting ready but, something is…wrong. You’ve purchased the blouse for tonight’s dinner party and cannot wait to show it off to your friends and family. ![]() (When editing any Wikipedia page in a desktop web browser, use the "Insert" pulldown menu immediately below the article text, or the "Special characters" menu immediately above the article text.) Normally, lowercase Greek letters should be entered in italics, that is, enclosed between two single quotes ( '').Imagine this scenario…you just get back home from shopping and purchasing that adorable blouse you’ve been eyeing for a while. In the table below, the codes on the left produce the symbols on the right, but these symbols can also be entered directly in the wikitext either by typing them if they are available on the keyboard, by copy-pasting them, or by using menus below the edit windows. Though Unicode characters are generally preferred, sometimes HTML entities are needed to avoid problems with wiki syntax or confusion with other characters: There are three methods for displaying formulas in Wikipedia: raw HTML, HTML with math templates (abbreviated here as. The visual editor shows a button that allows to choose one of three offered modes to display a formula. This screenshot shows the formula E = mc 2 being edited using VisualEditor. ![]() “Actually, I believe it’s a really good learning experience because now most junior colleges, colleges, anything, and all high schools have to have virtual working experience,” she says. Lockup teacher Cindy Willis says she views it as a necessary skill for 21st century adults. ![]() Is it bad to spend all day in front of a computer screen, especially for kids with behavioral issues? The answer remains to be seen. “It helps me get my credits and catch up with a lot of work I’m missing on.” He studied online at his own school and says he’s used to it and it’s good for him. As of this fall, there is a staff person to help them study for the GED.ĭaquon is an 11th grader from Jonesboro interested in environmental science. Virtual Arkansas tracks how long the kids spend on each assignment, giving teachers information about how hard students are working. The lockup teachers coach the kids with their online classwork in person in addition to the online teacher. The lockups are no different.ĭivision staff say that makes it easier for the students to stay on track with their public school peers as they move in and out of custody. Virtual Arkansas’s curriculum is uniform across the state for public schools that use it. “Because, that’s what I like to do, count money, so I like math.” “Guided notes is like going over lessons, and filling out what you didn’t know to see how you do it.” One student, Mark, a 16-year-old from El Dorado, is doing a worksheet he will share with a teacher online. The Harrisburg kids are mostly new to online studying unless they had Virtual Arkansas in school, but they’re figuring it out. ![]() Virtual Arkansas tries to replicate a classroom with a web-camera that connects students with their teachers remotely. After finishing their game, they will spend much of the rest of the day in front of computer screens being taught core subjects like algebra. Now youth in the lockups are studying a streamlined curriculum in Virtual Arkansas, the state's online public school. ![]() About one in three need special education services. And those kids in detention tend to need more. In 2015, The Council of State Governments found most incarcerated kids don’t get schooling equal to their public school peers. And so that’s just a real challenge to be able to teach the kids with the different subjects during your period.”Īrkansas isn’t alone in struggling to provide a basic education to kids in detention. “In the past, like the math teacher might have geometry, algebra, in the seventh grade going on at the same time. She says staffing teachers is complicated because there are a small number of youth at each facility around the state. Marcella Dalla Rosa is the director of education for the division. The Division of Youth Services does a yearly review of the facilities, but they say it wasn’t until it took over that they realized what was really going on in the classrooms. Most of the time when we were down there our monitors would see very little in the way of teaching going on in the facility," Poulin says. Most of the time when we were down there our monitors would see very little in the way of teaching going on in the facility." ![]() Morrison secured the Tiananmen Square challenges of 1989 and later contributed exceedingly acclaimed hour-long documentaries and magazine sections to different NBC programs while simultaneously proceeding as KNBC grappled. In 1988 he joined NBC News as a west coast reporter for the NBC Nightly News and Today Show. He moved to Los Angeles in 1986 as the 5 pm and 11 pm reporter on KNBC-TV. Morrison joined the Canadian Broadcasting Corporation in 1982 as substitute grapple and Chief Political Correspondent for The Journal, the system’s daily open undertakings program, staying until 1986. He likewise co-facilitated Midday, the system’s early afternoon hour newsmagazine that he made, from 1984 to 1985. ![]() From 1975 to 1976, he was a columnist on CTV National News and filled in as National Affairs Correspondent and substitute grapple on the show from 1976 to 1979. As a journalist at CTV, he won honors for his inclusion in the Yom Kippur War. An unrecognizable Reee Zellweger stars as Pam Hupp. Keith Morrison's choice surrounds the story of an ex-con who. He joined CTV’s Canada AM in 1973 as a newsreader and similarly sufficed in as a correspondent and end of the week grapple just as a maker. During the three weeks Dateline is off the air this August, our correspondents are sharing some of their most memorable reports.
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