![]() The operation is â€s.f./ operation, (Lat. The definitions provided by medical dictionaries do not eliminate, yet encourage similarities. Continuing to lay stress on the parallelism to which the study is devoted, the author considers that actions that may be related to or may be appreciated as possessing artistic characteristics occur even beyond the field of aesthetic or reparatory surgery. created and developed as an intermediary domain between strategy and tactics.â€. It includes both the principles, methods, procedures and rules for the preparation and development of military actions, and the personal endowments (talent, mastership, skill expected from the part of leaders and troops for attaining success in the battle.†More than that, the operative art is defined as â€a component of military art. It is not accidental that analysis and preparation of any military combat includes the field of military art, defined as â€a compounding part of the military science, a specialized domain of organization and management of armed conflicts. Frequently, both the medical and the military operations exceed their routine, deserving artistic appreciations. Defining a ( military operation as â€the total amount of the military actions performed by large operative and strategic units, according to an unique plan, for attaining an operative or strategic objective.â€, coldly and exhaustively developed along almost two pages, may provide sufficient arguments for correctly anchoring the action within the domain of military practice, in spite of the shortcoming of not having a more synthetic form, with valid landmarks for other disciplines, as well. In addition, the current study discusses the prevention and rapid recovery of fatigue, aiming at p.Ī JURIDICAL-ADMINISTRATIVE COMPARISON BETWEEN THE MILITARY AND THE MEDICAL OPERATIONĭirectory of Open Access Journals (Sweden)įull Text Available To bring together the word operation and opera and/or accomplishing an opera is not at all improper. The present paper elaborates the performances, assessment, and mechanism of fatigue in military operations. In complicated international military environments, military fatigue has received great attention from the armed forces in all countries. Military members frequently feel fatigue in military operations, which hinders the successful completion of their tasks. Thus, the increased scrutiny at general hospitals recasts that presenting ‘physical injury’ as a symptom of a disordered social situation, and a communication with a social circle: ‘a cry for help’, newly possible on a nationwide scale.Assessment, mechanisms, prevention, and measures for quick recovery of military operation-associated fatigueįatigue is a worldwide problem. This is achieved through much intellectual and practical labour, with psychiatric social workers carrying out home visits and follow-up, as well as interviewing friends, relatives and even employers, in order to construct a ‘social constellation’ around the ‘overdose’. ![]() This is underpinned by broad concepts of ‘mental stress’ which enable pathology to be located in social relationships and social situations. The second development is in psychiatric thought, moving towards a socially-focused model of the causation of mental disorder. This is cemented by the Suicide Act 1961 which decriminalises suicide and attempted suicide, and is swiftly followed by a government memorandum asking hospitals to ensure that all ‘attempted suicide’ patients presenting at casualty receive psychiatric assessment. This enables consistent psychological scrutiny upon patients presenting at general hospitals. The legislative high point of this process is the 1959 Mental Health Act, removing all legal barriers to mental treatment in general hospitals. ![]() With mental health included in the NHS, provision slowly and unevenly moves away from the geographically remote asylum, and into general hospitals and ‘the community’. First, models of mental healthcare provision change. This thesis places this ‘epidemic’ into historical context by looking at two interlinked developments in healthcare provision in Britain. This ‘epidemic’ consists predominantly of young people (increasingly gendered female) who present at general hospitals after having taken an amount of medication that is deemed excessive, but insufficient to kill them. After 1945 in Britain there emerges an ‘epidemic’ of ‘attempted suicide’ that is read as not aiming at death exclusively, but is instead a form of communication – a ‘cry for help’.
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